I wrote a blog post many years ago called ‘Liability Shields Can’t Stop Bullets’. It was a provocative piece about shootings, and it almost made its way into my first novel. I decided not to include it in the book because it weighted the closing in a strange way, opening up a new theme as the story ended. In that context, I felt the piece might be misunderstood as an attempt to justify shootings or appease shooters. Continue Reading
You can tell more truth in fiction than you can in nonfiction. * disclaimer
In the introductory post to this series, I wrote about two women I met here in Tucson: the beautiful blind optometrist and the doll-faced maniacal masseuse—and of course these are stereotypes, a bit nuanced, but still it’s fiction typecasting. I got trapped between these two stereotypes in my own mind as if they were battling for my future and my soul—to put it dramatically. Continue Reading
The writer’s greatest ally beckons their greatest nemesis: attachment.
The magic (or skill set) that a writer uses is best summed up by the notion of creating attachment. This is true in a simple form where a writer strives to create a character that people will feel attached to and see themselves in, but it goes beyond that. Continue Reading
What if every emotion is legitimate, and there’s no such thing as coincidence?
In essence I believe this is the writer’s mindset. As a writer struggles to find the words to tell a story, this is really what they are struggling with. In a fictional world, every emotion expressed has some kind of legitimacy, or the writer wouldn’t include it. And if there’s a coincidence that doesn’t pay off, a reader will feel robbed. Easy enough in fiction, but what about in real life? Continue Reading